Eric Burns* excellent site Websnark chronicles his love of (or obsession with) the webcomic industry. In less than a year, his critiques have become wildly popular by other fans - and by people like me, who just like his writing. When he reviews (or in his terminology, Snarks) a strip, people take notice. As with any critic, he is expressing an opinion, which I will often but by no means always agree with.
There are two things that set Burns apart from many other critics, in my view. First, the man can actually write. I*ve heard people say that if Kevin Spacey read the phone book for 2 hours, they*d buy a ticket because he*s just THAT good. Some of Eric Burns* stuff is like that - I don*t care what the topic is, I*ll read what he has to say because it*s a pleasure to invest my time in his work.
The second difference is perhaps more important - he*s not an elitist, and he doesn*t come across as loathing the very industry that he critiques. The man loves comics. He*s a fan, and completely unashamed of it. He doesn*t suggest that webcomics take on some sort of social significance, or try to justify them as “the last bastion of creative expression” or something else. He just, well, really loves them, the way they make him laugh and the way they tell stories and the way they allow the artists and the writers to express themselves. So, because he loves these things, he writes about them. A lot.
Today, something changed. Eric began his own comic, Gossamer Commons, along with an artist named Greg Holkan. He is overwhelmingly excited about it, and pretty obviously scared to death. Not, I think, because he fears criticism, but because he fears not being able to actually turn his vision into something that others can see and feel too. The fact that he is so plainly worried about that, but takes the risk to make this thing happen anyway, tells you something about him (and, indeed, about anyone who creates ANYTHING).
One of the things that strikes me about Mr. Burns’ website is that he goes out of his way to heap praise on everyone other than himself. In the FAQ, he has this to say about the division of labor:
Eric created the original story and plot, and writes the scripts. Greg draws all of the art and co-plots the execution of every strip. The creative process is a partnership — Eric describes plot to Greg, who bounces back suggestions to Eric, who then throws a script to Greg, who then bounces ideas and suggestions to Eric, who makes his own suggestions back. Greg then draws the strip, and bounces it off Eric, who makes any last second suggestions or requests (rare) revisions.
And when answering “Who did the website?”
Wednesday White. She rocks. The graphics came from Greg Holkan, who is amazing. Eric… um… showed up.
There’s more in the same vein, both self-deprecating toward himself and throwing compliments galore in the general direction of his creative partner, web designer, and anyone else who might contribute to the success of the project in any way. I think that’s pretty cool, and there probably isn’t enough of that kind of attitude in the world.
So, all that said – when I’m working on Alleged Enterprises’ second, third, or umpteenth game? Many, many thanks to the several people who make it fun to work on these silly things – artists, web designers, people who know how to use PageMaker or Publisher much better than I ever will, and the poor unfortunate souls who have to playtest version 0.1a over and over again before we get around to making their suggested changes.